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A Case Study: Sean
Sean was enrolled in my Pre-School
Disabilities class at age three. He presented with fine motor delays
and unintelligible word production. Various interventions over
the next year yielded positive gains in isolated skills, but the
integration of breath, rhythm, and movement he needed didn’t
come together until we tried Therapeutic Listening ®.
At age three, Sean’s body
did not support the development of fine motor skills. His shoulders
were always hiked to give his head and neck stability. He exhibited
low tone, flexion posturing with shallow breath, and a lack of
physical endurance. If Sean was asked a direct question or given
a physical challenge, his chest, neck, face, and ears would flare
bright red. Recovery time was lengthy.
His fine motor weaknesses limited
his activity options within the school environment. He found stacking
blocks a frustrating experience. He could not color or cut. Manipulatives
had to be held close to his body. Sean’s word production
was near unintelligible. He reduced all words to one syllable,
vowel sounds were distorted, and he only used three consonants
for final sounds. Although he sought to interact with peers, these
communication difficulties negatively affected his social relationships.
Various interventions by myself,
and the Occupational Therapist I collaborate with did yield some
positive gains. Sean’s posture, strength, endurance, and
coordination improved allowing him to participate more fully in
classroom activities. His conversational speech was still unintelligible,
but he was able to produce isolated sounds correctly. It was soon
apparent that Sean lacked a sense of rhythm and timing, both motorically
and vocally. He was unable to maintain a beat, his movements for
finger play never matched the group and when singing, he
was either way ahead of the tempo or lagging behind like an echo.
Sean’s initial Therapeutic
Listening protocol was modulated music for 30 minutes each day
in school. Ideally he would have had an additional session at home
but we didn’t yet have equipment for home use. Sean progressed
through Ease 1, Ease 3, and Mozart for Modulation. After one month
Sean gave the four distinct syllables of his full name for the
first time.
We continued Therapeutic Listening,
recently having him listen to Grape Jamz. With the others he would
go about his business with headphones on, but with this particular
CD he stopped and listened. As he continued with Grape Jamz, he
began to spend more time in the art center of our classroom, and
his fine motor skills began to improve. Recently we played Pease
Porridge Hot, which involves clapping your hands and your partner’s
hands in a pattern. It was the first rhythmic task he has ever
completed successfully!
For Sean, the Grape Jamz CD was
appropriately placed later in his treatment. It gave him the opportunity
to connect on a cognitive level. He now produces 7-8 word sentences,
and although his speech is not entirely intelligible, his meaning
is usually apparent. The red flushing has significantly diminished.
Social interactions are flourishing now that Sean is able to verbally
navigate the changes in theme during cooperative play, and he is
now ready for regular Kindergarten.
- Karen Kistler, Special Education Teacher
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